“Erin’s grasp of sci-fi literature’s scope and range was surprising. I felt confident in going back to ask for additional help and was most satisfied in her responses to unusual requests.”
Max Randolph’s collection of dreamprose, A Horse on the Moon, is now available through Amazon. Randolph’s distinctive style contains echoes of French surrealism and a contemporary avant-garde sensibility. I copyedited his manuscript in early 2012. Congratulations, Max!
Drunken Boat: An Online Journal of Art and Literature has released a powerhouse of an issue, featuring a nonfiction portfolio on experiences of the body edited by Heather Bryant and guest editor Suzanne Paola, a new book reviews section edited by Shira Dentz, a fiction folio edited by Holly Wendt including work by Tucson’s own Timothy Dyke, two poetry sections, one of which features Native American women poets and a strong editorial comment on the recent ban of ethnic studies in Tucson by Layli »
Richard Moore’s latest essay, “Homeward Bound,” has been published in Wilderness House Literary Review. The piece explores complex familial relationships and their effects on the narrator’s way of seeing. Moore and I developed this piece in late 2011. Well done, Richard!
Richard Moore comes out swinging in 2012 with a new essay published in Write This. The piece, titled “Ernest and Me,” investigates the narrator’s relationships to family and writing through the lens of his lifelong fascination with Ernest Hemingway. Moore and I developed this piece in July 2011. Congratulations, Richard!